Trinity Arts Live! at Backbeat Cafe in Dallas 3/10/10
I had reservations about doing this, given the disappointment from the last time I played there, but Gary offered me the "featured artist" slot, so I could play for 30 min. and develop a good set. The only downside of the evening was of course driving to Dallas (but traffic was cooperative) and the lack of attendance.
But I like playing there, it's a nice warm, medium sized room with a high ceiling and good acoustics. If I lived in big D, I would probably visit frequently.
Once I got onstage I was able to drop into the zone fairly quickly. I tried a different kind of intro, layer/looping an ebow drone, then chord washes over that, and away we went. Not so much off the cuff improv, mainly vamping on tried and true motifs, like Blue Hour and Up the Chupacabra, and ending with an abbreviated version of Hymn. I was pleased with how it went, and apparently it touched a lot of people there, got some good feedback afterwards.
The "treehouse" folks are so nice and supportive, I love being around and communing with all of them. Discussing with Gary afterwards about how different people deal with or approach music like this. In a listening space, when "ambient" or improvised music is being played, the audient must choose between letting the music take one over, or get up and do something else, which is all dependent on the disposition of the listener, and what intention or agenda they have brought to the performance. Most people just prefer a song with emphasis on melody, structure and usually lyric content. What I play has almost none of that, relying on a rhythmic and tonal center and letting "found" electronic effects suggest the overlaying SOUND.
Intitial listening of the live recording sounded pretty good, thanks to the aforementioned attributes of the room. Didn't need to add any reverb or much else, just boost the gain a bit and compress slightly.
Here's the first six minutes, which was my favorite part of the set.
Monday, February 22, 2010
RPM Challenge 2010 a success!
Yessir I'm done. Yesterday I finished up the last tune and did a rough mastering job. I'll sit on it a few days for tweeking, then send it off. It's an instrumental guitar album, ended up with five acoustic fingerstyle pieces, 2 kinda jazz pieces, 2 ambient things and a psych-blip tune (the obligatory filler track). The lowdown:
The Standing Baba - The melody here came to me in a waking dream the morning of Feb.1. I wanted to do something along the lines of Fleetwood Mac's "Albatross", a slow instrumental with dual lead lines.
Running Past Minor - I've played alot with DADF#AD guitar tuning but never dropped the F# down to F to make it a minor unitl this.
Roko-Kun - Used Michelangelo's free rhythm track "Roko" and ran it through some filters to make this shortie I've had described as Barry White meets Santana.
Much is Seen...Nothing Revealed - Open tuned improv, with some live looping and ring modulation. The "clean" track is in the left channel, and the "effected" track in the right.
Cloud Gate - Trying my hand at some tapping. Lots of Patrick O'Hearn influence here.
Ofelia Comes Home - About a kitty cat we recently adopted.
Jack's Gone - Primitive American guitarist Jack Rose passed away suddenly last December. He was only 38.
Sun on Snow - It snowed here on Feb 11 (my birthday!) and broke all the records. A deliberate attempt to sound like Doug Sparling, an RPM/alonetoner whose been a big influence this past year.
My Flimsy Valentine - a "psych-blip" track using an iPod sequencer app for the foundation. Layered guitar weirdness over that.
Dinardo's Nails - This is the only tune I did not compose this month. Been playing this for many years, but never properly recorded. Probably still not....
Dinardo was a high school buddy who grew his thumb and index fingernails long, and it weren't for guitar picking.
The Standing Baba - The melody here came to me in a waking dream the morning of Feb.1. I wanted to do something along the lines of Fleetwood Mac's "Albatross", a slow instrumental with dual lead lines.
Running Past Minor - I've played alot with DADF#AD guitar tuning but never dropped the F# down to F to make it a minor unitl this.
Roko-Kun - Used Michelangelo's free rhythm track "Roko" and ran it through some filters to make this shortie I've had described as Barry White meets Santana.
Much is Seen...Nothing Revealed - Open tuned improv, with some live looping and ring modulation. The "clean" track is in the left channel, and the "effected" track in the right.
Cloud Gate - Trying my hand at some tapping. Lots of Patrick O'Hearn influence here.
Ofelia Comes Home - About a kitty cat we recently adopted.
Jack's Gone - Primitive American guitarist Jack Rose passed away suddenly last December. He was only 38.
Sun on Snow - It snowed here on Feb 11 (my birthday!) and broke all the records. A deliberate attempt to sound like Doug Sparling, an RPM/alonetoner whose been a big influence this past year.
My Flimsy Valentine - a "psych-blip" track using an iPod sequencer app for the foundation. Layered guitar weirdness over that.
Dinardo's Nails - This is the only tune I did not compose this month. Been playing this for many years, but never properly recorded. Probably still not....
Dinardo was a high school buddy who grew his thumb and index fingernails long, and it weren't for guitar picking.